/////////2020 DO NOT LINK/////////
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Peter Luining introduced the term Sound Toys, denoting interactive formal sound pieces


The Geography

"The Geography" is an endless, non-linear, procedural, ai-algorithm driven composition, visually paired with virtual mountains rendered from real-world geographic data. Once instantiated, the piece will play forever, automated, until it is turned off, constantly creating new soundscapes, paired with generated geographies. The Geography is powered by a piece of code that effectively takes the human out of the role of 'music producer' or 'conductor' and will supply an endless stream of ambient music to the viewer or listener, as well as paint endless constantly shifting landscapes with digital light. Streaming online via Twitch, The Geography will generate an unbroken continuum of ever-changing and evolving music, paired with virtual landscapes, constantly shifting and morphing into new combinations and configurations.



Michael Berto is an artist, writer and composer working in games. In 2017 he founded The Zium Museum, an online, digital art gallery

"The Geography" project is a collaboration with Titouan Millet, Freya Berkhout and t e l e p a t h

Top 84 Ways of Going Greener at Home

We are surrounded by an endless array of products and services, produced by countless startups that have received hundreds of millions of dollars in venture capital funding, all to sell us on the promise that these products and services will help us live greener better lives. These products and services will magically separate us from our environment and teleport us into green living bliss, even if that is only a substitute composite which, like the stock video in Top 84 Best Ways to Become Greener at Home, is too difficult to realise otherwise.



Krassimir Terziev [Красимир Терзиев]is an artist who works with video, photography, installation and drawing.



Tech-Knowledge

Tech-Knowledge examines how technology permeates society and shapes our consciousness. Electronically manipulated images of industrial technologies, with an emphasis on automated food production, point to our literal consumption and internalization of technological ideology. Instead of how to make and use artifacts, Tech-Knowledge is redefined as a way of experimental thinking.
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TTT Nancy Buchanan is an artist, teacher and activist working with video and performances that combine the personal and the political. She is a member of The LA ArtGirls and The Artists Formerly Known As Women


The Telepathic Motion Picture of the LOST TRIBES,Season 2, Episode O or 1


Hello, I am Waxweb,
and I love you.
It is after the beginning of the internet,
which can never be destroyed,
but it is also time
for our next program
and next world,
coming up next at midnight.

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David Blair is an artist working in the fields of video art and digital media. His digital feature 'Wax or the Discovery of Television Among the Bees' became a culthit, the hypermedia version of the film, Waxweb, was one of the first sites on the World Wide Web.


HOLIDAYS

HOLIDAYS is a series of digital Photo Albums designed from Facebook accounts and printed on ISSUU. The Photo Albums date and place reveal a tension between our dramatic media perception of that specific moment and how people are publishing pictures of themselves online from the same geolocation.


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I Visited Art Basel Online So You Don't Have To

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Niko Princen's art practice concentrates around the internet, wherein the human interaction and miscommunication through the computer play a role?



ACAB Mindstorm Online

A collaborative drawing recording via AWWapp between Viktor Timofeev and Jaakko Pallasvuo. The movie shows the act of drawing, erasing and redrawing between two remote artists. The online recording demonstrates that drawing is continuous movement and the in-between stages towards a 'final drawing' can be revisited as a movie.

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Viktor Timofeev works in digital media, VR,installation and drawing. His work explores themes of fictional worlds, crypto language, dystopia et.al

Jaakko Pallasvuo is a filmmaker, writer, performer and artist. His work deals with hierarchies, feelings and social arrangements. He works with video, ceramics, texts and images.


The Internet Beggar

The internet beggar understands the Internet and takes advantage of it, just like the pioneers of the dot.com economy. Squatting the information superhighway, he supposedly earned around 25.000 Euros in the first year of his activity. Moreover, he has survived the bust of the dot.com bubble and continues to work.

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Heath Bunting aspires to be a skilful member of the public. He is a co-founder of both net.art and sport-art movements and is banned for life from entering the USA for his anti GM work. Heath regularly runs artist's training workshops in artist resilience.


Choreographies of Scale

This essay-film documents the various logistics projects pursued by the artist since 2018. Experimenting with economically-sound and morally unacceptable ways to gain/circulate resources has been a hallmark of Inari Wishiki's work. Methods of accumulation and distribution pursued have included, #free_transport by crowd, moving a mountain of potatoes with food couriers and single-handedly flipping a 20-foot container.







INARI Wishiki is an artist 'trying to make life easier for people who are trying to live hard'. His work explores the entanglement of economics and ecology. He is part of the Bristol-based collective Irational.org.



URL ISN'T ENOUGH

We're closed: you don't need another crap online exhibition
We're closed: you don't need another crap online exhibition
We're closed: you don't need another crap online exhibition
We're closed: you don't need another crap online exhibition
We're closed: you don't need another crap online exhibition
We're closed: you don't need another crap online exhibition
We're closed: you don't need another crap online exhibition
We're closed: you don't need another crap online exhibition
We're closed: you don't need another crap online exhibition We're closed: you don't need another crap online exhibition We're closed: you don't need another crap online exhibition We're closed: you don't need another crap online exhibition We're closed: you don't need another crap online exhibition



Green Cube Gallery is an online exhibition space run by Guido Segni and Matìas Ezequiel Reyes.


PANDEMONIUM.today

Scraping for one year the contents of reuters.com, replacing the headline messages vowels with a range of Emoji icons.

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Guido Segni is an artist with a background in hacktivism, net art and video, he lives and works somewhere, online and offline, playing with art, internet culture and data hallucinations.
Dirk Paesmans \i\3s whajhLShteverWWE33 its AZZ BBZZTme iluey;q-euJOID


SunriseSunsetSunriseSunset

SunriseSunsetSunriseSunset reflects on the growth in leisure time we collectively spend in front of the digital screen, further away from the real world and our own physical experiences. The 100 most downloaded google results for ‘sunrise’ and ‘sunset’ desktop-wallpaper images have been processed via a digital programme. The sun’s position is tracked across the browser in relation to the user’s cursor movement.



Conall McAteer is a visual artist based in London. His practice explores the intersection between the digital and the tangible. Considering technology’s increasing application, he investigates the potential, limitations and complications of the virtual in relation to the politics and conventions of the real.

How to enter a fictional realm / Tutorial

Using the format of a YouTube tutorial, How to enter a fictional realm is a handy didactic guide for accessing the realm of Tamriel with a non-native character. Located in the so-called open world of The Elder Scrolls V: Skyrim, Tamriel is not exactly easy to enter and navigate. In addition to offering practical tips for getting a virtual self into Tamriel, the video examines the agency of digitised personas and what entering a foreign, hostile landscape might mean for a character striving to maintain a consistent and persistent narrative. Thinking of a virtual self as a self-contained identity reaching past incidental existence, the work urges the viewer to consider the relationship between two agents, the player and their alter ego. A seemingly straightforward gesture - visiting Tamriel - causes problems ranging from the loss of identity to fictive character memory inconsistencies, not to mention an overall lack of narrative compliance.


Petra Szemán is a moving image artist working with animation and game-like immersive installations. Her practice is centred around instances in which real life can be experienced as fictional.Turning away from thinking of the cyberspace as a radically ’other’ realm, Petra hopes to walk the line situated between dystopian and utopian frameworks.

Typical Tarzanist Tales

‘Typical Tarzanist Tales’ is an abstract sound piece by visual artists Thomas van Linge and Puck Verkade. As a starting point, they invited a documentary voice-over artist to narrate a text loosely based on the Aquatic Ape Theory (AAT); a hypothesis that challenges the common Hunter Hypothesis, that human evolution was primarily influenced by the activity of hunting from predominantly male apes, arguing that it was the smaller female apes who sought cover from predators in the water, which eventually over time caused to enlarge the brain, foregrounding the agency of women in human evolution.The sound-piece is made by feeding the vocal information into a granular sampler and digital audio workstation (DAW) to unhinge the qualities of the voice from the context of language and interpretation, leaving us with reverberating noise frequencies and fragmented sentences to tune into.



Puck Verkade is a video-based artist whose work revisits popular phenomena taken from science, culture, history and mass-media as tokens of paradoxical human behaviour.

Thomas Van Linge is a Dutch artist who uses the symbols and elements of recent popular culture to experiment with the ways in which those elements can be manipulated in space. Dissecting iconic forms and placing them in unusual or unexpected orientations.

Atom C

Atom C takes a poetical approach in describing the carbon cycle seen through the perspective of a single carbon atom. The animated video Atom C traces the journey of the atom from its birth in the Universe, through the biosphere and finally its end as part of the human consciousness. Seen through a first-person perspective, the viewer is being placed in the position of the carbon atom – the building block of terrestrial life. By assuming a first-person perspective, the aim of the piece is to imagine the visual sensation of traveling in a microscopic world as well as to challenge the viewer to imagine her or himself in a micro scale.





Kristina Pulejkova is a London-based artist whose inter-disciplinary practice is informed by science and technology.Through use of immersive technology, Kristina’s works often deal with environmental issues, telling personal stories that place audiences at the centre of the scene, allowing for a protagonist perspective and a different way of seeing.

Ballonpop
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Nosepicking

Ballonpop and Nosepicking are two videos posted on YouTube as part of a series of short looping videos featuring Andersson’s crafted Instagram personality. Originally posted to the social media platform, these works centre on the artist performing to the camera and interacting with the materiality of the screen whilst reacting to the endless possibilities for self-determination online. In ballonpop Andersson continually ‘pops’ herself out of existence whilst eerily staring into the camera lens, whilst in nosepicking a computer cursor repeatedly alters the bone structure of her nose.



Madeleine Andersson is an artist predominantly working with moving images in ways that are deliberately direct, dramatic and self-oriented.


Ellinger,TX _ _ _

Ellinger, TX is a durational generative video artwork, based on a real small town that is situated on the intersection of two major interstate highways between Austin and Houston, TX. Although once a farming community, Ellinger now makes the majority of its income in the town’s two gas stations when travelers stop to refuel. This version of Ellinger has been cut off from its highway routes, as well as the rest of the world- the characters that live in this town are in a micro-landscape, bordered in much the same way that many games-spaces are surrounded by invisible walls. Narratively non-explicit, it is unclear whether Ellinger has been cut from the world via a catastrophic event, or if it simply exists in a singular system of its own logic where there is no more outside. The content of this town is also built of digital creative-commons 3d models, pointing towards tropes of recycling and reuse in narratives of survival outside of commerce and larger connective societal systems. Ellinger, TX, is a piece of software that runs itself- a simulation of a town removed from the world. As the simulation is run, the ‘characters’ of the town develop habits, preferences, and friendships.

The work streams periodically on Twitch.tv, where recent broadcasts are also archived.


Everest Pipkin is a drawing and software artist from Bee Caves, Texas, who produces intimate work with large data sets. Through the use of online archives, big data repositories, and other resources for digital information, they aim to reclaim the corporate internet as a space that can be gentle, ecological, and personal.


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Online platform upstream.gallery proudly presents its fourth exhibition

//////////2020 DO NOT LINK///////////

Curated by Dirk Paesmans and Bob Bicknell-Knight

12 - 28 June 2020

Participating artists:

Madeleine Andersson, Michael Berto, David Blair, Nancy Buchanan, Heath Bunting, Green Cube Gallery, Inari Wishiki, Peter Luining, Conall McAteer, Viktor Timofeev & Jaakko Pallasvuo, Everest Pipkin, Niko Princen, Kristina Pulejkova, Guido Segni, Petra Szemán, Krassimir Terziev, Puck Verkade & Thomas van Linge

Opening, Friday June 12th, 17.00 (CEST)

Location: http://www.donotlink.org/2020ups.html

2020 DO NOT LINK ⚠️is an online exhibition concerned with ideas of virality and data distortion,
featuring artworks and external links that explore the embedded hyperreality of our networked society. The show takes the format of an infinite scroll, an ever-evolving list of artworks and ephemera, referencing the habit of uncontrollably hoarding electronic bookmarks or digital tabs. The title of the exhibition refers to being disconnected from the world, web pages and one another during this unprecedented moment in history. It acts as both a warning and an impossibility, with 2020 being remembered in history for years to come.

With the rise of search engines and the demise of the URL, websites, much like the year 2020, can now never not be linked to. Within the show an ongoing archive of embedded links, from artist interviews to digital downloads, are available to access, embracing our hyperconnected online existence. From simulating an environment that’s cut off from its essential resource to a tutorial detailing how to enter a fictional realm, the artworks in the exhibition reflect how dependant we are on our interconnected lives./

$autocompletion-text!
2020DONOTLINK-featuring artworks from a global network of artists on how to create a virality-free digital identity. We have decided to include in this exhibition Internet memes that do not conform to the 'norms' of online practice. We take this decision to be an individual one and have left it to the local artist or other institutional partners to decide whether to exclude anything from the programme. We are encouraging people to submit their works/

$autocompletion-text!
2020DONOTLINK-takes the format of an infinite scroll an ever-evolving list of online artworks and ephemera referencing the habit of\this scrolling element which would make websites look infinitely repetitive. The end is drawn and it's too late for it to get back on track. Eventually the scrolling ends. The web starts over/

$autocompletion-text!
2020DONOTLINK-the title of the exhibition refers to being disconnected from the world web pages and one another during lockdown The installation's audience is able to view at an alternative point in the shutdown while being completely disconnected from other parts of the world. According to a statement an expressionist project entitled 'If the page are closed then I am closed.' - 'If the page are closed
then I am closed' - develops through a series of pieces
including work that explores the continuous flow of information
and the nature of the space during digital shutdown.
Public spaces are radically transformed when the page is closed
The exhibition states: 'The work is meant to highlight how our routines
perceptions
friendships
and people in general
alter when we/



about the curators:

Bob Bicknell-Knight is an artist, writer and curator. His work is influenced by surveillance capitalism and responds to the hyper consumerism of the internet. Utopia, dystopia, automation, surveillance and digitization of the self are some of the themes that arise through his critical examination of contemporary technologies. Bicknell-Knight is also the founder and director of isthisit?, an online platform for contemporary art that's exhibited over 800 artists since its creation in 2016, through online and offline exhibitions, a digital residency and a physical book series.

Dirk Paesmans is an artist working and living in Dordrecht, the Netherlands. He studied under Nam June Paik at the Staatliche Kunstakademie Düsseldorf before attending CADRE, the electronic arts laboratory at San Jose State University in California. He started his career as a video artist, and since 1995 has been working together with Joan Heemskerk. Both form the artist collective JODI, known for its pioneering net-based artworks. 



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